The Jazzes.

“Untitled”: Rick Olson; Mark Henderson.
Transition: John Coltrane.
Equinox: John Coltrane
Coltrane/Miles 1960. Bye Bye, Blackbird.
Coltrane w/Miles 1960: All Blues. Amsterdam.
John Coltrane: Spiritual {w/Dolphy}.
1960: All Blues: Miles Davis/John Coltrane Quintet. Stockholm.
Compassion: John Coltrane.
Roland Kirk: No Tonic Pres
Roland Kirk: Rip, Rig, and Panic.
Cecil Taylor: Live in Bologna. 1988
Abdullah Ibrahim: African Dawn.
Pools. Michael Brecker.
Ben Webster: Sunday.
Yusef Lateef: See Line Woman.
Kongsberg: Yusef Lateef.
Mr. Joy: Paul Bley.
Paul Bley: Mr. Joy. from Turning Point. 1975.
Henry Threadgill: I Can’t Wait Till I Get Home.
The Sidewinder: Lee Morgan with Joe Henderson.
Herbie Nichols: The Gig.
Dollar Brand: The Moon.
Dollar Brand: Tintinaya.
Lew Tabackin: Jitterbug Waltz.
Viper’s Drag: Fats Waller.
Julius Hemphill: The Hard Blues.
Albert Ayler: Spirits {from Spiritual Unity}
Just B: Henry Threadgill.

Titans of improvised music display their immense powers.

Pat Martino: The Great Stream.
Valse Hot: Sonny Rollins, Clifford Brown.
Coltrane/Hartman: They Say It’s Wonderful.
Miles Davis: The Leap. Blue Note.
Ray’s Idea: Miles Davis {alt take}.
Lee Morgan {with Jackie McLean}: Miss Nettie B.
Leon Thomas: Song for my Father.
David Murray: Abel’s Blissed Out Blues.
David Murray: Spooning.
Mal Waldron: Blues for FP.
John’s Abbey: Bud Powell.
Julius Hemphill: Dogon A.D.
Herbie Nichols: The Spinning Song.
Go Power: Arnett Cobb, and the great Eddie “Lockjaw” Davis.
Planet Earth: Adderley/Lateef sextet.
Leon Thomas : One.
One For Eric: Jack Dejohnette ensemble, w/David Murray.

World’s Greatest Vocalist: Dwight Yoakam.

Dwight Yoakam can simply do the impossible with his voice. See North to Alaska, among many others, for evidence. He steps into the very large shoes of legend Johnny Horton, and…whoa. A transcendent, jaw-dropping, awe-inducing performance. And, the same can be said of his live 2013 reading of the Red Simpson-penned Close Up The Honky Tonks. Even a young, inexperienced Yoakam—in his 1985 performance above, he shyly asks the audience if they like the show—kills it. A not-many-times-an-epoch talent.