Bideodromage
The great South African pianist Abdullah Ibrahim, a keyboard giant, is here featured. Though his work reflects the gospel and traditional works of his ancestral home, as well as that of jazz legends Thelonious Monk and Duke Ellington, he is much more than their sum. Ibrahim is a master of improvisational high-wire acts that leave the listener spellbound. His is a unique, powerful, mesmeric musical vision.
Brian Connolly, Steve Priest, Andy Scott, and Mick Tucker comprised the glam maestros known as {The} Sweet. SchrΓΆdringer’s definite article notwithstanding, these great men rose to achieve world domination in the 70s. Extraordinary catchiness paired with pure power escalated Sweet to the uppermost echelons. They also projected a sense of great fun, often sorely lacking in hard rock.
More immortal Star Trek highlights, from Return of the Archons, and Day of the Dove.
LΓ©on, the Professional, is a brilliantly twisted and complex film focusing on the relationship between a good-hearted yet ruthless hitman, the young girl who comes under his guidance after her family is massacred, and the sociopathic DEA agent Stansfield, who performed said massacring. A certain houseplant also plays a significant role. Jean Reno and Natalie Portman are both exceptional, and Gary Oldman renders forth a truly iconic performance as the depraved, mercurial, cunning, pill-popping Stansfield. Each character has their own internally consistent moral code. Luc Besson directed this fascinating, haunting, offbeat, darkly comical film.
Tenor saxophone colossus Theodore Walter “Sonny” Rollins is responsible for a great many of the most monumental jazz tracks ever produced. With John Coltrane, he’s unquestionably at the top of the mountain as far as tenor sax is concerned. As an interpreter of ballads, he remains unsurpassed. Those included here are dramatic, monumental. Given the apparent relaxation with which Sonny plays, the cliff-hanging tension he creates is uncanny. His work with calypso material was groundbreaking. Presented here is but a minute offering from the great man’s catalogue. A premier pantheon inhabitant.
Nick Currie obtained his stage name from the Greek God of satire and mockery. An apt moniker, as the gifted singer/songwriter is supremely adept in both departments. Erudite in the extreme, and equipped with an unfailing wit, the acerbic yet playful Currie has been not only prolific, but highly influential. No less than Jarvis Cocker and Suede’s Brett Anderson list the redoubtable, dependably quirky Momus as an inspiration.
No Country for Old Men, a 2007 existential noir western thriller by Joel and Ethan Coen, examines the dilemma of Llewelyn Moss {Josh Brolin}, who somewhat inadvertently ends up in the crosshairs of, among others, sociopathic assassin/operative Anton Chigurh {Javier Bardem}, a most singular character with a ruthless code and nihilism to spare. Sheriff Ed Tom Bell {Tommy Lee Jones} wants to help Moss, but, though plenty smart and resourceful, he realizes with the likes of Chigurh, whom he wryly and despairingly describes as a ghost, he’s in over his head; he’s dealing with a new kind of human. New, yet as old and implacable as the unforgiving landscape.
It is the uncanny accomplishment of the Coens to have rendered an extraordinarily nuanced environment where everything means something, yet nothing means anything. The interface of chance and inevitability is front and center.
2020 featured a sensational, stomach-churning final for the men’s US Open trophy. Alexander Zverev and Dominic Thiem battled for over 4 hours, each getting excruciatingly close to the crown. Jangly nerves, cramps, and courage played as large a role as each player’s formidable arsenal of shotmaking weaponry. The Austrian finally prevailed by the slimmest of margins in the final set tiebreaker. A heartbreaking pill for Zverev to somehow swallow, and the first major championship for Dominic Thiem, who had * just* enough will at the finish to outlast his friend.
The final of the 2020 US Open featured everything one could desire in a championship match: high level of play; swings in momentum; and commendable bravery from both players. Naomi Osaka emerged the victor in an epic struggle with Victoria Azarenka, claiming her 3rd major trophy in the process. Both players exhibited tremendous desire, not to mention wondrous shotmaking. It will be a long-remembered match for the championship level on both sides of the net. Osaka’s wicked groundstrokes, formidable serve, and grace under pressure eventually prevailed.
24 year old Daniil Medvedev, the world’s 5th ranked player, plays a fascinating game of tennis. Though 6’6″, he plays mostly from the backcourt, where he is utterly ruthless. Ceaseless probing, penetrating groundstrokes, hit mostly flat, help him gain control of the point, and he is not one prone to relinquishing it. A formidable competitor, Medvedev plays controlled offense superbly, has a very effective serve, and has excellent foot speed. He seems destined to be at or near the top of the men’s game for many years.
