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Abandoned Abandoned hospitals existentialism Macabre Operating Rooms photography

Oh, No…Abandoned Areas of Doom.

Areas of Doom, for 200. Perhaps not exactly qualifying as ideal locations in which to find oneself.

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Actors Actors of Greatness Film Horror/Cult Films Predators Psychopaths Tom Noonan Uncategorized

Psychopathic Types IV

Ian Holm I
Ian Holm VI
Ian Holm VII
Ian Holm VIII
Noonan6
Mark Holton III - Gacy
Mark Holton IIII - Gacy
F/X 2
Brian Dennehy V - Gacy

Some fine work here by some of our best. First, Ian Holm does Jack The Ripper. Mr. Holm, not usually known for this type of thing, “kills” it. Amazing creativity. Then my guy Tom Noonan plays John Lee Roche, a towering psychopath who is soft-spoken but quite hilarious: nothing could beat “You’re just resisting me.” for a bit of dialogue with such a type. Next, career “Hey! It’s THAT guy!” actor…..which means you’re doing something RIGHT….Mark Holton allows John Gacy to inhabit him utterly in Crawl Space (2003). Very cool, very deadpan….then, in a (for me) surprise of sorts, Brian Dennehy pulls a devastating gem from his arsenal in his *own* portrayal of The Killer Clown in 1992’s To Catch a Killer. This is the only scene in the TV-movie with any violence, really,  of any kind….and here it’s 100% psychological (which, if you’ve been there….)….but/and Dennehy’s undeniably intense psychopathic trance is unforgettable, poignant, tragic.  And plenty frightening. Whoa.

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Actors Film Horror/Cult Films Predators Psychopaths Ravenous Robert Carlyle videos Wendigos

Ravenous {1999}.

The 1999 Horror/Cult film Ravenous is a most unusual moving picture, even for one detailing the Wendigo exploits of certain individuals. Many comedic elements continue to pop up, often on the heels of a truly frightening passage. The musical score, by Damon Albarn and Michael Nyman, adds a very great deal to the proceedings. This singular cinematic endeavour starred Robert Carlyle, Guy Pearce, and Jeffrey Jones, with Carlyle in particular standing out. His Colqhoun/Ives character is both the slippery eel and the fulcrum of the film.