Bideodromage
Kings of the 2-minute and under weight-division, the Ramones pack quite the copious wallop of mordant wit into their creations. And Joey Ramone leaves no doubt in these masterful performances as to his total command of the vocal art. Remarkably inventive, powerful, sublime.
George Baker Selection – Original.
George Baker Selection – Newer, Hipper version.
Heino!
Slim Whitman.
Nina & Mike.
The Spanish Caribe Hits.
Patricia Lavila.
Morelli and Napoli.
Conceived, composed, and realized by George Baker, Paloma Blanca soared to the skies upon its release in 1975, and has been covered by many since—yes, even/especially by Heino. But it is Johannes Bouwens {Baker} himself who is synonymous with this iconic piece.
Belgian maestro Jacques Brel seemed to set new standards for utterly authentic, godlike intensity, every time he took the stage; he seemed possessed, magical. He also created some of the greatest songs of the last century. He served, lastly, as a huge influence to aspiring songwriters/performers…not least of all, Scott Walker. {I included Scott doing “Fils de” at post’s end} A true titan.
Gilbert BΓ©caud. Monsieur 100,000 volts. A truly powerful performer, few {none}{Brel…??} could outdo The Creator. On the above Seul, Gilbert gives an intimate, and increasingly euphoric, reading, culminating in {playful} pianist-shoving and back-slapping, and finally, in blissful embrace, of himself. Monsieur 100,000 Volts was a marvel. Nathalie, perhaps his best-loved composition, could provoke the assembled multitude in Stravinsky-esque ways.
Revised: Massively. 7/6/2019.
Titans of Belgian, French, and American Performing. Jacques Brel. Gilbert Bécaud. Serge Gainsbourg. Jacques Dutronc. Claude François. And, of course: The Rod McKuen.
Heino, born Heinz Georg Kramm, is a legendary, iconic figure in the world of German music. Rousing pop versions of traditional songs became his trademark. And…he has a certain…something, all his own.
{Note: Revised 7/7/2019}
The astonishing Cecil Taylor. Simply magical.
So What {Live in Copenhagen}.
Transition.
Spiritual.
All Blues {Live in Stockholm}.
So What {Live in Stockholm}.
Out of This World.
Cosmos.
Compassion.
Liberia.
Equinox.
Naima {Live}
Amen.
Mr. P.C.
Your Lady.
Itβs The Same Old Shillelagh
With My Shillelagh Under My Arm
Mr. Harry Lillis “Bing” Crosby here covers a variety of material, in his nonpareil manner.
The above are audio tracks that span a fairly large time period of Scott Walker’s remarkable body of recorded work.
And a few Walker Brothers masterpieces.
{NOTE: Revised 11/19/2019}
Scott Walker, born Noel Scott Engel, 1943, a musical artist of profound depth and originality, was (and is) a cherished figure for millions worldwide. Reclusive, enigmatic, innovative, Scott occupies a unique place in the pantheon of recording artists. Heβs also very near and dear to my own heart. He will be deeply missed.
Many will remember Scott Walkerβs sublime work with ballads; many others love his idiosyncratic, Brel-influenced blossoming into a top-notch composer and performer; still more prefer the uneasy, discomforting terrain and eerie beauty of his later recordings. Iβll remember him for all of it, for everything. Thereβs no replacing him. Weβll never see his likes again.
Memorial post here.
Bideodromage 