π‘‡β„Žπ‘’ π·π‘–π‘“π‘“π‘’π‘Ÿπ‘’π‘›π‘‘π‘™π‘¦-π‘…π‘’π‘Žπ‘™π‘š’𝑑 πΌπ‘Žπ‘› πΆπ‘’π‘Ÿπ‘‘π‘–π‘ .

Go ahead. Choose a realm, any realm. Ian’s not from there; he’s never taken up residence there, and, for that matter, spends precious little—if any—time there. Yes. It’s been proven.

It’s a damn shame that so little halfway decent video footage seems to be available, of Joy Division. The first two are the cream o’, that I have encountered. Prose ought not storm about in the Video {or Image} playground. I panicked. I’m stalling. Wingeing. And on, now, we go. Unto the Breach. We few. We happy few.

This is their greatest achievement. {Yes. In my opinion.} Lyrics such as “On stranger waves, the lows and highs, Our vision touched the sky” {I hear “skies”, but every “authority” says otherwise. It’s skies.} are lyrics that will stop one cold, transported. He’s Rimbaud, but lots better, genius-y-er. Getting It-y-er. And: past tense. Like he’s not there. Maybe never was. Haunting. As. ___________.

Means To An End’s Twin, spire-wise.

Isolation transcends the Isolation genre, or would, if such a genre existed. “I’m doing the best that I can” not to expound. I give you Ian: ” A blindness that touches perfection,
But hurts just like anything else…” I mean…

Also Quite “Good”.

Ian was not only brilliant, fiercely determined, and a de-framer-of-reference…to whom could he be compared?…but he was one brave man. To go out, in public, put self on display, and take unreal chances, and I mean here with his dancing…this must have been terrifying. For one afflicted with epilepsy, to *intentionally* lose control, physically…unreal. But, he *had* to.

π‘‡β„Žπ‘’ 𝐿𝑒𝑛𝑒 πΏπ‘œπ‘£π‘–π‘β„Ž

Bewildering Semaphore-like Movements.

Lili-Marlene Premilovich, later known as Lene Lovich, preternaturally idiosyncratic—and gifted—songstress, happens to play saxophone, is an animal rights activist, and initially wore her hair in braids to keep the locks from the clay, when in art school, studying sculpture. And, damn, she can deliver a tune. With octaves to spare {hear: Momentary Breakdown}.

Ah, The Irish. The Dubliners; and The Clancy Brothers.

On to The Dubliners, then.

The Dubliners and The Clancy Brothers and Tommy Makem and Shane McGowan work their inimitable magic.

Ramones.

Nice music combo. Uplift Program = Ramones. Joey’s vocal on Airwaves is one of his (or anyone’s, for that matter; a supremely underrated vocalist, who could do anything) best; saying a lot. Also Sheena, 1st vid. Like a completely different song, he mixes up the phrasing, emphasis, cadence so masterfully.

𝒀𝒐𝒖𝒓 𝑬𝑳𝑢, 𝒂𝒏𝒅 𝑴𝒂𝒆𝒔𝒕𝒓𝒐 𝑱𝒆𝒇𝒇 π‘³π’šπ’π’π’†.

The stunning talents of Jeff Lynne. Quite something. Few are his peers.

π“π‘πž 𝐁𝐫𝐞𝐭𝐑𝐫𝐞𝐧 𝐆𝐒𝐛𝐛.

One of the finest song-delivering groups of an era, here are more-than-a-few magical moments with the Bee Gees.

The Sly Stone. And The Cult. And……..

 

 

I am the BEST. Period.
The ravings of a madman.

The ravings of a very cute dog.

 

Morrissey - You Shut Your Mouth

 

π‘†π‘žπ‘’π‘’π‘’π‘§π‘’, π‘Žπ‘›π‘‘ π‘‡β„Žπ‘’ 𝐺𝑙𝑒𝑛𝑛 π‘‡π‘–π‘™π‘π‘Ÿπ‘œπ‘œπ‘˜

{Note: this post thoroughly revised, 8/10/2019}

Mr. Glenn Tilbrook, longtime lead vocalist for Squeeze, is without doubt one of the foremost practitioners of his craft. There is little he can’t do, and beautifully. Then-member Paul Carrack, primarily a keyboardist, sang lead on the iconic Tempted, for some reason. He certainly did a creditable job, but it sure is a fine thing to hear Glenn take his rightful place at the microphone, for the two live versions presented above. Pulling Mussels, and Is That Love, both illustrate the band’s talents for creating clever, catchier-than-thou pop classics, and Tilbrook is precisely the man you’d want to sing them. Good ol’ Jools Holland makes an appearance or two, here, to boot.

π‘‡β„Žπ‘’ 𝐸𝑙𝑣𝑖𝑠 πΆπ‘œπ‘ π‘‘π‘’π‘™π‘™π‘œ.

Same performance as the following YT. 1983.
WOW.
Elvis Costello III
Mr. Elvis Costello.

{Revised: 7/6/2019}

Mr. Elvis Costello: One of the very greatest, most idiosyncratic performers and composers.