π‘―π’Šπ’•π’„π’‰π’„π’π’„π’Œ’𝒔 π‘·π’”π’šπ’„π’‰π’ {1960}.

The reaction/mood of Norman Bates {portrayed iconically by Anthony Perkins} changes rather drastically, from chipper, to utterly incredulous, to overtly hostile, to a resigned world-weariness, to a last attempt at chipperness, when Janet Leigh’s character suggests, out of concern for Norman, that his mother be put in “…some…place…”

When the dogged, unswerving Milton Arbogast {Martin Balsam} calmly dissembles the slowly dissolving structural integrity of Norman’s version of events, he opts to do nothing less than trot out the heavy artillery, proclaiming “If it doesn’t gel, it isn’t aspic; and this ain’t gelling.” Stunned silence proceeds to take over the entire universe.

πΆβ„Žπ‘Ÿπ‘–π‘ π‘‘π‘–π‘Žπ‘› 𝑆𝑧𝑒𝑙𝑙: π‘€π‘Žπ‘Ÿπ‘Žπ‘‘β„Žπ‘œπ‘› π‘€π‘Žπ‘›.

The sadistic war criminal Christian Szell {portrayed brilliantly by Laurence Olivier} gets up to some nefarious goings-on in Marathon Man…until Dustin Hoffman finally captures him (…on film).