One of the canonical Trek episodes, in which Kirk and Spock find themselves battling to the death. Guest characters include T’pring, the great Stonn, and the indomitable T’pau.
This Sci-Fi Adventure film depicts the battle between the mostly mechanical police officer Alex Murphy (Peter Weller) and archvillain drug lord Cain (memorably portrayed by Tom Noonan). A certain mayor (Willard E. Pugh) may also momentarily almost lose his composure.
Ridley Scott‘s psychological thriller Hannibal features Anthony Hopkins, Gary Oldman, Julianne Moore, and Giancarlo Giannini, who all turn in memorable performances. Stylishly directed by Mr. Scott, this film features some seriously dark humor to both lighten yet enhance the considerable sense of dread. Masterfully done by one and all.
This film noir from John Huston features Humphrey Bogart, in a truly iconic, star-making performance, and the great Sydney Greenstreet, in his debut on the big screen. Peter Lorre, Mary Astor, and Elisha Cook, Jr. are also all brilliant, with the latter portraying the “Gunsel” (a term author Dashiell Hammett snuck by the Powers That Be).
This quirky, moody, disturbing, occasionally hysterical crime drama boasts a fine ensemble cast, but Crispin Glover steals the show with a stunning, unforgettable performance as druggy ringleader-of-sorts Layne. Iconic, a tour de force. Keanu Reeves is very good as Matt, a relatively sane teenager. Dennis Hopper has a nice turn as dealer/murderer/weirdo Feck.
Léon, the Professional, is a brilliantly twisted and complex film focusing on the relationship between a good-hearted yet ruthless hitman, the young girl who comes under his guidance after her family is massacred, and the sociopathic DEA agent Stansfield, who performed said massacring. A certain houseplant also plays a significant role. Jean Reno and Natalie Portman are both exceptional, and Gary Oldman renders forth a truly iconic performance as the depraved, mercurial, cunning, pill-popping Stansfield. Each character has their own internally consistent moral code. Luc Besson directed this fascinating, haunting, offbeat, darkly comical film.
Directed by a 28 year old Steven Spielberg, Jaws is a gripping, multi-faceted masterwork. This thriller/cult classic features resonant, memorable work by Roy Scheider and Richard Dreyfuss, and a mesmerizing, iconic performance by Robert Shaw. Also involved is a 20+ (25!) foot-long shark. One of the most perfectly realized films of the 20th century.
The 1996 film Fargo, a Coen Brothers masterwork, presents the story and precipitous moral/psychological decline of Jerry Lundegaard (William H. Macy), the misadventures of the bungling kidnappers (Steve Buscemi and Peter Stormare) whose “help” he enlists, and the dogged attempts of Marge Gunderson (Frances McDormand) to make sense of it all. Macy’s performance is mind-boggling, Buscemi and Stormare are brilliant, and McDormand carried away an Oscar for her finely-nuanced portrayal. Carter Burwell composed the memorable theme.
This offbeat, rather twisted Western presents the intertwined stories of Tom Logan (Jack Nicholson) and his good-hearted, somewhat hapless rustling gang, and Lee Clayton (Marlon Brando), a so-called “regulator” (hired killer) whose job it is to identify and curtail the activities of Logan, et al. As the film progresses, an ever-increasing sense of dread and disquiet permeate the proceedings, as it becomes clearer all the time that the eccentric Clayton is a ruthless, sadistic sociopath, who relishes his deadly machinations and depraved exploits. The bounty hunter’s bewildering array of accents and disguises also merits mentioning.
Arthur Penn directed this cult masterpiece, and allowed the actors, especially Brando, to find their own way with the characters, including improvising much of the dialogue. Idiosyncratically paced, this oddball absurdist comedy/western thriller deconstructs the genre to beautiful effect, and Marlon Brando’s incomprehensibly stunning performance ultimately defines and lifts the film to the very heights.
The serial predator and killer Martin Vanger appears in both the American and Swedish iterations of The Girl With The Dragon Tattoo. He is equally disquieting in both. Peter Haber portrays Vanger in the 2009 Swedish release, and Stellan Skarsgård does the honors for the 2011 American film. Both performances are brilliant, and chilling. Haber’s portrayal is earnest and volatile, while Skarsgård is more haughty, detached, dispassionate. Both work perfectly.