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π½π‘–π‘šπ‘– π»π‘’π‘›π‘‘π‘Ÿπ‘–π‘₯.

Jimi Hendrix, whether performing the somber, doleful Hey Joe, the furiously kinetic Johnny B. Goode, or the iconic, brain-imploding National anthem, was a virtuoso on his instrument unlike any other.

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Talking Heads: The Mad Professor-ism of David Byrne.

Mind. Montreux, 1982.

A few comments on our selections {NOT all of them!!}: Cities {1983, 1982, *and* 1980 versions} *might* be David Byrne’s high-water mark as an “umm, what???” (followed by audible hysteria, in my case…) vocalist. The Impossible writ upon a landscape. Pulled Up and Mind, at the very least, are looking uneasily over their shoulders. The “He’s come undone” staggerings/lurchings in Psycho Killer {1983} are also enough to keep one alive for several epochs; the 1979 Mudd Club version is electrifying, mystique-laden; ridiculously brilliant. Both versions of Drugs have an eerie, haunting element all of their own; Dollette McDonald and Adrian B contribute mightily. Crosseyed is simply a collective singe-fest.