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hit singles Music music videos new wave photography Singers The 80s vocalists

Hit Singles of the 80s: A Primer, of Sorts.

An introduction to some of the musical goings-on way back in the 1980s. We have: The Vapors, Falco, Eddy Grant, Dead or Alive, XTC, Pete Shelley, Lene Lovich, Echo and the Bunnymen, Fiction Factory, Split Enz, Squeeze, Tears for Fears, and The Housemartins. Some of these performances are not, strictly speaking, from the 80s, but that decade claims all of the hits above during the time it held sway.

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Music music videos new wave pure pop wonderment videos vocalists

Pure Pop Wonderment, Vol. I.

An ever-so-haphazard collection of songs/performances which bring one to the trancelike state of what is called Pure Pop Wonderment. These things avoid syzygy. It’s not an excuse; it’s a vigorously researched excuse. Linear-ness is overrated. Most of these you’ll know, but perhaps not these versions. Maybe 1 or 2 that are new, to, say, the likes of you. Enjoy.

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David Byrne Eno Geniuses Music music videos new wave Singers Talking Heads videos vocalists

π‘‡π‘Žπ‘™π‘˜π‘–π‘›π‘” π»π‘’π‘Žπ‘‘π‘ : π‘‡β„Žπ‘’ π‘€π‘Žπ‘‘ π‘ƒπ‘Ÿπ‘œπ‘“π‘’π‘ π‘ π‘œπ‘Ÿ-π‘–π‘ π‘š π‘œπ‘“ π·π‘Žπ‘£π‘–π‘‘ π΅π‘¦π‘Ÿπ‘›π‘’.

What follows is a smattering of incredible live performances by this ensemble, some of which include guitar maestro Adrian Belew. David Byrne, it could be argued, virtually created “New Wave” {or *something*} with the inexplicable, unpinpointable, wondrous peregrinations of his vocals. Plus, the unusual “dancing”{or Nureyev/??-like movements}. Much more than an iconoclast, Byrne simply brought into the time/space continuum, things that were previously Noumenal, intangible. An epoch-defining genius.

Mind. Montreux, 1982.

{Granted, Wild Wild Life is nowhere near the preternaturally edgy/”weird”/indefinable ventures into undreamt-of realms, which made this band legendary. But, it *is*, well, fun. And it shows Byrne’s mindboggling theatricality and capacity for adopting a bewildering array of disguises, and such.}

A few comments on our selections {NOT all of them!!}: Cities {1983, 1982, *and* 1980 versions} *might* be David Byrne’s high-water mark as an “umm, what???” (followed by audible hysteria, in my case…) vocalist. The Impossible writ upon a landscape. Pulled Up and Mind, at the very least, are looking uneasily over their shoulders. The “He’s come undone” staggerings/lurchings in Psycho Killer {1983} are also enough to keep one alive for several epochs; the 1979 Mudd Club version is electrifying, mystique-laden; ridiculously brilliant. Both versions of Drugs have an eerie, haunting element all of their own; Dollette McDonald and Adrian B contribute mightily. Crosseyed is simply a collective singe-fest.