The above constitutes a smattering of incredible live performances by this ensemble, mainly the 1980 iteration, which included guitar maestro Adrian Belew. David Byrne, it could be argued, virtually created “New Wave” {or *something*} with the inexplicable, unpinpointable, wondrous peregrinations of his vocals. Plus, the unusual “dancing”{or Nureyev/??-like movements}. Much more than an iconoclast, Byrne simply brought into the time/space continuum, things that were previously Noumenal, undefinable. An epoch-defining genius.
A few comments on our selections {NOT all of them!!}: Cities {1983, 1982, *and* 1980 versions} *might* be David Byrne’s high-water mark as an “umm, what???” vocalist. The Impossible writ upon a landscape. Pulled Up and Mind, at the very least, are looking uneasily over their shoulders. The “He’s come undone” staggerings/lurchings in Psycho Killer {1983} are also enough to keep one alive for several epochs; the 1979 Mudd Club version is electrifying, mystique-laden; ridiculously brilliant. Both versions of Drugs have an eerie, haunting element all of their own; Dollette McDonald and Adrian B contribute mightily. Crosseyed {all versions} is simply a collective singe-fest.
Bideodromage 