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Talking Heads: The Mad Professor-ism of David Byrne.

Mind. Montreux, 1982.

A few comments on our selections {NOT all of them!!}: Cities {1983, 1982, *and* 1980 versions} *might* be David Byrne’s high-water mark as an “umm, what???” (followed by audible hysteria, in my case…) vocalist. The Impossible writ upon a landscape. Pulled Up and Mind, at the very least, are looking uneasily over their shoulders. The “He’s come undone” staggerings/lurchings in Psycho Killer {1983} are also enough to keep one alive for several epochs; the 1979 Mudd Club version is electrifying, mystique-laden; ridiculously brilliant. Both versions of Drugs have an eerie, haunting element all of their own; Dollette McDonald and Adrian B contribute mightily. Crosseyed is simply a collective singe-fest.

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The Peter Murphy: Vampirically-Persuasioned Deity.

Mr. Murphy is in top form still. He is in full command of his towering vocal abilities. A mesmerist is in the house. And, *you* let him in!!!!!!!!!!!!

The enigmatic and other-worldly Peter Murphy presents an imposing, daunting figure, one who seems unlacking in self-assurance. And, if anything, his *astonishing* vocal talents are fully—possibly more fully than ever—intact. Like unto a god. Or whatever he is.