Bideodromage
This quirky, moody, disturbing, occasionally hysterical crime drama boasts a fine ensemble cast, but Crispin Glover steals the show with a stunning, unforgettable performance as druggy ringleader-of-sorts Layne. Iconic, a tour de force. Keanu Reeves is very good as Matt, a relatively sane teenager. Dennis Hopper has a nice turn as dealer/murderer/weirdo Feck.
This Ukrainian-born pianist is simply poetic to behold at the keyboard.
Sirvavigadas: “a characteristically Hungarian penchant for celebrating misery in an extravagant, nay spendthrift, manner.” —R. Sarlos.
A collection of dramatic theme songs of the James Bond persuasion, scintillatingly performed by Shirley Bassey, Adele, Nancy Sinatra, Matt Monro, Tom Jones, Paul McCartney, and Carly Simon, legends all.
A legal thriller from 2007, brilliantly directed by Tony Gilroy, Michael Clayton chiefly revolves around the relationship between the title character, a “fixer”, and Arthur Edens, a brilliant attorney who is suffering a breakdown but also grasps more of the truth than is perhaps good for him. George Clooney and Tom Wilkinson star, along with Tilda Swinton, who portrays a ruthless general counsel and chief antagonist. All provide memorable performances, with Wilkinson at the height of his powers as the bipolar Edens.
Marc Bolan was the founder, guitarist, songwriter, vocalist, and sole constant member of the English band T. Rex, a group renowned for sensuous grooves and cryptic lyrics chock-a-block with innuendo. When Bolan appeared on Top of the Pops with glitter makeup, the glam era was officially underway. The vocalist also had a memorable way with ballads, as the above performances demonstrate. Most of all, of course, he was The Groover.
Elvis Presley ended up mastering a great many styles and genres, including Gospel, Country/Nashville, Ballads, and…Rock & Roll. An astonishingly dramatic, charismatic, riveting performer, right up to the end.
Note: Elvis is seen above by gospel god and idol James “Big Chief” Wetherington.
“Very Great” moments in Gospel music, throughout history.
A few notes from Wikipedia: Norman Greenbaum: If you ask me what I based “Spirit In The Sky” on … what did we grow up watching? Westerns! These mean and nasty varmints get shot and they wanted to die with their boots on. So to me that was spiritual, they wanted to die with their boots on.
“I had to use Christianity because I had to use something. But more important it wasn’t the Jesus part, it was the spirit in the sky. Funny enough … I wanted to die with my boots on.”
“According to The New York Times article, Greenbaum used a Fender Telecaster guitar with a fuzz box built into the body to generate the song’s characteristic guitar sound.”
Greenbaum daringly defies any and all Anti-Hand-Clapping ordinances in the above performances, and Ms. Hagen takes a commendable swing at the immortal song, as well.
The great South African pianist Abdullah Ibrahim, a keyboard giant, is here featured. Though his work reflects the gospel and traditional works of his ancestral home, as well as that of jazz legends Thelonious Monk and Duke Ellington, he is much more than their sum. Ibrahim is a master of improvisational high-wire acts that leave the listener spellbound. His is a unique, powerful, mesmeric musical vision.
Bideodromage 