This Great Man.
Tag: vocal stylings
Few are in the class, charisma-wise, of The Steven Patrick Morrissey. The mononymous one, co-founder of The Smiths, with guitarist Johnny Marr, ventured out on his own, diary in hand, to great fanfare in 1987. As it turns out, he did rather well.
To quote the great man: “I don’t recognise such terms as heterosexuality, homosexuality, bisexuality, and I think it’s important that there’s someone in pop music who’s like that. These words do great damage, they confuse people and they make people feel unhappy, so I want to do away with them.”
In a 1989 interview, he said that he was “always attracted to men and women who were never attracted to me” and thus he did not have “relationships at all”. In 2013, he released a statement that said, “Unfortunately, I am not homosexual. In technical fact, I am humasexual. I am attracted to humans. But, of course . . . not many.”
Mr. Murphy is in top form still. He is in full command of his towering vocal abilities. A vampiric mesmerist is in the house. And, *you* let him in!!!!!!!!!!!!
The enigmatic and other-worldly Peter Murphy presents an imposing, daunting figure, one who seems unlacking in self-assurance. And, if anything, his *astonishing* vocal talents are fully—possibly more fully than ever—intact. Like unto a god. Or whatever he is.
The Mr Bing Crosby.
With My Shillelagh Under My Arm
Mr. Harry Lillis “Bing” Crosby here covers a variety of material, in his nonpareil manner.



The sublimely gifted, somewhat offbeat {esp. back in the day…} whistling mæstro, composer, and vocalist Roger Whittaker is herein featured. Equipped with a manly baritone not unlike burnished mahogany, this great man can just plain deliver the goods (his nonpareil winning ways being what they are). A true original. ∎.





















































































