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The X-Files: Beyond the Sea.

The brilliant actor Brad Dourif gives a mind-boggling portrayal of convicted—and soon to be executed—serial killer Luther Lee Boggs. In this story, there’s a catch—a quite big one—in that the murderer claims to have acquired psychic powers, and might be able to help capture a predator who has abducted two people, and has killed ritualistically in the past. Mulder (David Duchovny), for one, is less than convinced.

In these two subsequent scenes, firstly… although Agent Scully would dearly love to converse with her recently deceased father, it’s quite possible that Luther Lee Boggs’ (Brad Dourif loses his mind, in the best possible way) intense aversion to the electric chair has even greater motivational potency. Lastly, in the poignant, haunting final scene (the final scene *we’re* going to present…), the correct warning Boggs had given to Scully ended up saving her life, and convinces her that he’s been telling the truth. He’s only willing to convey her father’s message if she is his witness when he’s strapped to the chair in a few hours. Is this one last trick, one potential last act of cruelty? Or does he truly value the agent whose life he saved? This ambiguity is part of what makes him such an intriguing character…and Dourif’s masterful performance makes Boggs truly indelible.

Amen. Simply one of the greatest performances I’ve seen, ever.

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Zodiac {2007}.

The Zodiac Killer was active—as far as we know—in 1968 and 1969, though he claimed in one of his notorious, cryptic, and, really, legendary, letters that he had killed (and was continuing to kill…) many more than the law department could conceive of. His five “canonical” murders were unusual in a number of ways: his “signature” varied from event to event; and instead of trying to conceal his deeds, he boasted and rodomontaded unabashedly and very publicly. When he gloated that he planned to kill schoolchildren as they “came bouncing out” of a schoolbus, panic ran rampant throughout the whole of Northern California.

The initial scene shows the strikingly cryptic, bizarre, haunting interview that Toschi {portrayed by Mark Ruffalo}, Mulanax {Elias Koteas} and Armstrong {Anthony Edwards} held with Person of Interest Arthur Leigh Allen {played by John Carroll Lynch, who gets it pitch-perfect}. By turns haughty, indignant, angry, and laconic, Allen kept dropping revealing, tantalising bits of information that certainly got the lawmen’s attention. They glance at each other, almost in shock, as the suspect all but reveals that he’s the infamous Zodiac. But not quite. An extremely intense scene.

The middle two videos cover one of the “canonical” Zodiac murders, and some of writer/sleuth Robert Graysmith‘s unnerving detours into what may, or may not be false leads, this being a particularly disquieting episode with Bob Vaughn (Charles Fleischer).

The final video shows Robert Graysmith (Jake Gyllenhaal) as he enters the domain of Leigh, not to prove anything, but to look into his eyes “and know he’s the one”. He does so, and as it dawns on the chief suspect of the Zodiac investigation what is happening, his countenance morphs from pleasant and welcoming, to menacing and cold.

This riveting film focuses, for the most part, on the remarkable degree of not only fear, but *obsession* that the never-caught serial killer instilled in people. This kind of obsession destroyed a number of lives; Paul Avery {Robert Downey, Jr.}, Dave Toschi {Mark Ruffalo}, and Robert Graysmith {Jake Gyllenhaal} are those examined in Zodiac.

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The Moriarty {Andrew Scott}.

Actor Andrew Scott turns in a bravura performance as criminal mastermind James Moriarty in the BBC series Sherlock. Truly mesmerizing.

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Hitchcock’s Psycho {1960}.

The plot of Psycho, directed by Alfred Hitchcock, pivots on the fulcrum of a red herring. Janet Leigh’s character fears that she is in imminent legal danger, and suffers from a troubled conscience, when in fact something far, far worse, something having absolutely nothing even remotely to do with events up to that point, awaits her.

When he dines initially with Leigh, the reaction/mood of Norman Bates {portrayed iconically by Anthony Perkins} changes rather drastically, from chipper, to utterly incredulous, to overtly hostile, to a resigned world-weariness, to a last attempt at joviality. He appears to be friendly and caring, if a bit troubled and mercurial.

When the dogged, unswerving Milton Arbogast {Martin Balsam} calmly dissembles the slowly dissolving structural integrity of Norman’s version of events, he opts to trot out the heavy artillery, proclaiming “If it doesn’t gel, it isn’t aspic; and this ain’t gelling.” Stunned silence proceeds to take over the entire universe, and Norman Bates is clearly rattled. The two shall meet again, soon enough.

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Christian Szell: Marathon Man {1976}.

The sadistic, notorious war criminal Christian Szell—aka The White Angel, or Der Weisse Engel— {portrayed memorably by Laurence Olivier} gets up to some nefarious goings-on in Marathon Man…until Dustin Hoffman finally captures him (…on film).

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These Fragments I Have Shored…

These Fragments I Have Shored Against My Ruins…

Adieu…

Hieronymo’s Mad Againe…

Paul Bettany displays simply towering talent in his portrayal here of serial killer Ted Kaczynski. Such examples of the following phenomenon are not without precedent, but they are rare fowl indeed. The Phenomenon: Bettany manages to be more Unabomber-esque than the Unabomber himself. Sure, it’s not possible; but this seems to pose little hindrance. Like G. Oldman as Stansfield, Olivier as Christian Szell, and Brando as Lee Clayton, Bettany simply has that much power to spare. It is rare indeed that a performance can truly be categorized as iconic…but the word applies fully in this situation. Incredible mastery. I find it haunting, in any number of ways, to this day. Indelible.

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Psychopathic Types IV

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Ian Holm VIII
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Mark Holton III - Gacy
Mark Holton IIII - Gacy
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Brian Dennehy V - Gacy

Some fine work here by some of our best. First, Ian Holm does Jack The Ripper. Mr. Holm, not usually known for this type of thing, “kills” it. Amazing creativity. Then my guy Tom Noonan plays John Lee Roche, a towering psychopath who is soft-spoken but quite hilarious: nothing could beat “You’re just resisting me.” for a bit of dialogue with such a type. Next, career “Hey! It’s THAT guy!” actor…..which means you’re doing something RIGHT….Mark Holton allows John Gacy to inhabit him utterly in Crawl Space (2003). Very cool, very deadpan….then, in a (for me) surprise of sorts, Brian Dennehy pulls a devastating gem from his arsenal in his *own* portrayal of The Killer Clown in 1992’s To Catch a Killer. This is the only scene in the TV-movie with any violence, really,  of any kind….and here it’s 100% psychological (which, if you’ve been there….)….but/and Dennehy’s undeniably intense psychopathic trance is unforgettable, poignant, tragic.  And plenty frightening. Whoa.

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Psychopathic Types III

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The Christoph Waltz.

The great Christoph Waltz, Two-Time Academy Award winner, shows some of his inimitable what-have-you.

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The Crispin Glover.

crispin glover