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Charisma composers Eerie Spatiality Electronica epoch-defining Eternal Gary Numan Geniuses Music music videos performers photography Singers Synth-Pop Terminal videos vocalists

The Gary Numan: βˆ°.

Praying To The Aliens. {studio}.
Live, 1980: Santa Monica.

Let ∰ = “The High Priest of quasi-androgynous Synth-Pop/Electronica, the Impassive Alien Deity, The Gary Numan.” What heretofore had been used to calculate Flux Densities, and whatnot, now is more—much more—much, much more.

He created aural landscapes which allowed access to the unfathomable. His performances have been described in so many ways. Strikingly “robotic”. Otherworldly. Mesmerizing. And moreover, there’s an unease, a disquiet, accompanying his trenchant intelligence; a wariness. Aware of a certain danger we cannot grasp. The ritual held out in the open, hauntingly obvious, yet impenetrable. A language we’ve forgotten; mind-argot beyond our ken.  

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Audio Charisma composers dancing Eerie Spatiality Eternal existentialism Geniuses Ian Curtis Joy Division Music music videos performers photography Poetic Genius Poetry Punk Singers Terminal videos vocalists

The Differently-Realmed Ian Curtis, and Joy Division.

Go ahead. Choose a realm, any realm. Ian’s not from there; he’s never taken up residence there, and, for that matter, spends precious little—if any—time there. Yes. It’s been proven.

The composer/vocalist of Joy Division hails from some different locale than do most human beings. Ian’s lodgings come rent-free, and he’s been awarded the keys to The City.

We’re not talking about earth, which he departed many years ago, alas, in 1980. He certainly left his mark here on this planet, but his realm is, and has ever been, elsewhere.

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Actors Actors of Greatness Film Paul Bettany Poetry Terminal TV videos

These Fragments I Have Shored…

These Fragments I Have Shored Against My Ruins…

Adieu…

Hieronymo’s Mad Againe…

Paul Bettany displays simply towering talent in his portrayal here of serial killer Ted Kaczynski. Such examples of the following phenomenon are not without precedent, but they are rare fowl indeed. The Phenomenon: Bettany manages to be more Unabomber-esque than the Unabomber himself. Sure, it’s not possible; but this seems to pose little hindrance. Like G. Oldman as Stansfield, Olivier as Christian Szell, and Brando as Lee Clayton, Bettany simply has that much power to spare.Β It is rare indeed that a performance can truly be categorized as iconic…but the word applies fully in this situation. Incredible mastery. I find it haunting, in any number of ways, to this day. Indelible.