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Actors Directors Film Gary Oldman Jean Reno Natalie Portman photography Predators Psychopaths

LΓ©on, the Professional {1994}.

LΓ©on, the Professional, is a brilliantly twisted and complex film focusing on the relationship between a good-hearted yet ruthless hitman, the young girl who comes under his guidance after her family is massacred, and the sociopathic DEA agent Stansfield, who performed said massacring. A certain houseplant also plays a significant role. Jean Reno and Natalie Portman are both exceptional, and Gary Oldman renders forth a truly iconic performance as the depraved, mercurial, cunning, pill-popping Stansfield. Each character has their own internally consistent moral code. Luc Besson directed this fascinating, haunting, offbeat, darkly comical film.

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Elvis Costello finger pointing Gary Oldman GIFs Hand Usage Marc Almond Morrissey Scott Walker Syd Barrett

The Usage of Hands, and Variants.

David Bowie IAElvis Costello - Finger Pointing IIIGary Oldman - Mozart - Hand Usage IIJarvis Cocker - HandMarc Almond IMorrissey - You Shut Your Mouth II - makeagifScott Walker - Hand Usage - 4Syd Barrett - Why Can't You See III

Gary Oldman - Mozart - Hand Usage

Extraordinary, nonpareil Usage of Hands/Finger Pointing by some of the greats.

Ian Anderson II - Flute Wielding and ThrustingIan Anderson III - Ritual and Big Finish

Β 

Pointing. Cranium-circling. Thrusting. Jabbing. Ritualistic. Improbable. All are to be found.

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Actors Actors of Greatness Film Gary Oldman LΓ©on The Professional Psychopaths videos

The Gary Oldman.

{Note: Massively Revised 7/8/2019}

Gary Oldman, in a titanically twisted, iconic, canonical, epoch-defining performance, portrays psychopathic, corrupt DEA agent Norman Stansfield in the film LΓ©on, The Professional. Stansfield really gets down to some serious malevolent weirdness in the above video scene with would-be DEA agent-slayer Mathilda (Natalie Portman).  He calmly interrogates the young lady in ways that would bamboozle, unnerve, and intimidate anyone in human history. Throughout, the crazed but {mostly} composed DEA agent manages to be one moment menacing, the next pleasantly conversational. Stansfield presents an enigmatic, occasionally humorous, malevolent-ly inclined figure. Quite unforgettable.

In The Fifth Element, and True Romance, he displays the ability to simply do anything he wants as an actor. Both roles are quasi-humorous/sinister, but in entirely different ways. Masterful.