π‘‡β„Žπ‘’ π΅π‘™π‘Žπ‘π‘’π‘™π‘Ž

William Marshall

The great William Marshall, with his stentorian delivery, and dignified/exalted bearing, brings much to the table in these two films.

{Revised with Full Intensity 7/6/2019}

The Scott Walker.

Track 6.

Thanks For Chicago Mr James.

It’s Raining Today.

Get Behind Me.

Hero of the War.

World’s Strongest Man.

Jackie!

Brel’s Jackie.

Best of Both Worlds.

Such a Small Love.

Shut Out.

Man From Reno.

Little Things That Keep Us Together.

Old Man’s Back Again.

The above are audio tracks that span a fairly large time period of Scott Walker’s recorded work.

Scott Walker VII
Scott Walker VIII
Scott Walker VIIII

{NOTE: Revised 3/25/2019}

Memorial post here.

𝑻𝒉𝒆 𝑴𝒂𝒓𝒍𝒐𝒏 𝑩𝒓𝒂𝒏𝒅𝒐.

Amazing how Marlon could so casually convey supreme menace from situations which are hardly synonymous with menace-conveying.

Sheer, unnerving menace…from the confines of a bubble bath...

The truly great Marlon Brando, appearing here in The Missouri Breaks, One-Eyed Jacks, Apocalypse Now, and The Island of Dr. Moreau. One of the supreme practitioners of his art, ever to stride across the earth.

π‘‡β„Žπ‘’ πΊπ‘Žπ‘Ÿπ‘¦ π‘‚π‘™π‘‘π‘šπ‘Žπ‘›.

{Note: Massively Revised 7/8/2019}

Gary Oldman, in a titanically twisted, iconic, canonical, epoch-defining performance, portrays psychopathic, corrupt DEA agent Norman Stansfield in the film LΓ©on, The Professional. Stansfield really gets down to some serious malevolent weirdness in the above video scene with would-be DEA agent-slayer Mathilda (Natalie Portman).  He calmly interrogates the young lady in ways that would bamboozle, unnerve, and intimidate anyone in human history. Throughout, the crazed but {mostly} composed DEA agent manages to be one moment menacing, the next pleasantly conversational. Stansfield presents an enigmatic, occasionally humorous, malevolent-ly inclined figure. Quite unforgettable.

π‘‡β„Žπ‘’ π‘…π‘œπ‘”π‘’π‘Ÿ π‘Šβ„Žπ‘–π‘‘π‘‘π‘Žπ‘˜π‘’π‘Ÿ πΈπ‘₯π‘π‘’π‘Ÿπ‘–π‘’π‘›π‘π‘’.

whittaker on ice I

{Festival.}

Begins with “Mexican Whistler”….
Great version.
Claude FranΓ§ois with a brief showing…
He Starts Below.
Good Morning, Starshine.
Those Were The Days.
Don’t Let ‘Em Change.
Candy Cloud.
Pretty Bird.
Mistral. Bilingual.
Mistral. More Whistling.
Flap Flap.
Emily. {English}
Mexican Whistler.
Calypso!
Festival. {!!}
Swaggy. Australian Whistler. {alt version}
Swaggy. True Version.

The supremely talented, somewhat offbeat {esp. back in the day…} whistling mΓ¦stro , composer, and smooth, rich baritone vocalist Roger Whittaker. The man can just plain deliver a song; very gifted with phrasing, etc.

The Mr. Cannon.

Somewhat unconvinced…

**The seemingly invincible Nielsen, and even the record-settingly acerbic Roy Scheider, succumb, in the end, to the resolute Detective.**

The indomitable, dogged, yet supremely courteous Frank Cannon (William Conrad) is unlikely to swerve, even momentarily, from his pursuit of the truth.

{NOTE: This post revised, and revised with a passion, July 3, 2019.}

Five-O. {The Hawaii…}

Tin Idol!!! 4 Ways.
Norman Alden in a scene from the film ‘Andy’, 1965. (Photo by Universal Pictures/Getty Images)

Crucial, unforgettable scenes & images from 3 iconic episodes: Death Wish on Tantalus Mountain; You Don’t Have to You Don’t Have To Kill To Get Rich…But It Helps; and the “Tin Idol” oriented Rest in Peace, Somebody.

{NOTE: Revised 7/6/2019.}