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CSI {Part 3}: Stalker.

Slightly off-kilter character actor Doug Hutchison was THE *perfect* choice to play CSI Nick Stokes’s rather creepy antagonist in this episode of CSI, season 2, episode 19.

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The CSI, part 2: Paul Millander.

Actor Matt O’Toole gives a remarkable, bravura, iconic performance as serial killer Paul Millander, invoking dread, menace, yet some sympathy (of a sort…) as well. Highly intelligent, and courteous, with a traumatic youth-hood, to put it mildly, Millander nonetheless is that most threatening of characters; always he seems to have the advantage.

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Trek {Star}: Vol. 2.

Three of the Highest Echelon: The Ultimate Computer; Where No Man Has Gone Before; and The Man Trap.

Towering genius Dr. Richard Daystrom, in the midst of further un-understanding, plans to “show” Leonard McCoy—plans to show everyone, in fact—and delivers, in his stentorian manner, a powerfully declamatory oration, all the while teetering on the very brink of sanity/insanity. 

In trying earnestly to persuade the well-nigh legendary (and Great) M5 Multitronic Unit (which displays its textbook Uncompromising Stance) to do, and to not do, certain things, the mighty and almost eternal Dr. Richard Daystrom begins an ill-fated rumination on his life and work, and the all-too-prevalent injustices therein. A last, desperate, titanic, paradigmatic, æon-defining manifestation of wild grandiosity brings with it predictable results. 

Mr. Spock (Leonard Nimoy) and Captain Kirk (William Shatner) employ a potent cocktail of chicanery and subterfuge to subdue the solitude-defending archaeologist, Professor Robert Crater (Alfred Ryder). They proceed to interrogate him vigorously, mainly/entirely concerning the whereabouts of his wife.

Gary Mitchell leaves little doubt of his seriousness—he is most certainly *not* joking—with Lee Kelso. He then ruminates, with ever-increasing wonder, about his newly found, awesome, and steadily burgeoning powers. Gary Lockwood delivers a masterful performance as the metamorphosing Mitchell.

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The Trek {Star}: Vol. 1.

Mighty and Iconic Moments in Star Trek, television, and Human History. Space Seed, The Way to Eden, and Arena.

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Five-O {The Hawaii}: Part 3.

The great Barry Bonamo, V for Vashon, Blind Tiger, and (arguably) The Most Existential Moment in Human History are featured.

Don’t miss the earlier 5-O posts: One, and Two.

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Five-O {The Hawaii}: Part 2.

Indelible Moments from the episodes Odd Man In, and The Devil and Mr. Frog.

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These Fragments I Have Shored…

These Fragments I Have Shored Against My Ruins…

Adieu…

Hieronymo’s Mad Againe…

Paul Bettany displays simply towering talent in his portrayal here of serial killer Ted Kaczynski. Such examples of the following phenomenon are not without precedent, but they are rare fowl indeed. The Phenomenon: Bettany manages to be more Unabomber-esque than the Unabomber himself. Sure, it’s not possible; but this seems to pose little hindrance. Like G. Oldman as Stansfield, Olivier as Christian Szell, and Brando as Lee Clayton, Bettany simply has that much power to spare. It is rare indeed that a performance can truly be categorized as iconic…but the word applies fully in this situation. Incredible mastery. I find it haunting, in any number of ways, to this day. Indelible.

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𝑇ℎ𝑒 𝐶𝑆𝐼. 𝑃𝑎𝑟𝑡 𝑂𝑛𝑒.

Brilliant performances—both very low-key, but extremely effective—by Ned Beatty and Taylor Nichols, which really get across what a sociopath is: for one thing, they have absolutely no remorse. And, of course, there are other qualities….

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Psychopathic Types IV

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Some fine work here by some of our best. First, Ian Holm does Jack The Ripper. Mr. Holm, not usually known for this type of thing, “kills” it. Amazing creativity. Then my guy Tom Noonan plays John Lee Roche, a towering psychopath who is soft-spoken but quite hilarious: nothing could beat “You’re just resisting me.” for a bit of dialogue with such a type. Next, career “Hey! It’s THAT guy!” actor…..which means you’re doing something RIGHT….Mark Holton allows John Gacy to inhabit him utterly in Crawl Space (2003). Very cool, very deadpan….then, in a (for me) surprise of sorts, Brian Dennehy pulls a devastating gem from his arsenal in his *own* portrayal of The Killer Clown in 1992’s To Catch a Killer. This is the only scene in the TV-movie with any violence, really,  of any kind….and here it’s 100% psychological (which, if you’ve been there….)….but/and Dennehy’s undeniably intense psychopathic trance is unforgettable, poignant, tragic.  And plenty frightening. Whoa.

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Psychopathic Types III

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