A legal thriller from 2007, brilliantly directed by TonyGilroy, MichaelClayton chiefly revolves around the relationship between the title character, a “fixer”, and Arthur Edens, a brilliant attorney who is suffering a breakdown but also grasps more of the truth than is perhaps good for him. GeorgeClooney and TomWilkinson star, along with TildaSwinton, who portrays a ruthless general counsel and chief antagonist. All provide memorable performances, with Wilkinson at the height of his powers as the bipolar Edens.
Léon, theProfessional, is a brilliantly twisted and complex film focusing on the relationship between a good-hearted yet ruthless hitman, the young girl who comes under his guidance after her family is massacred, and the sociopathic DEA agent Stansfield, who performed said massacring. A certain houseplant also plays a significant role. JeanReno and NataliePortman are both exceptional, and GaryOldman renders forth a truly iconic performance as the depraved, mercurial, cunning, pill-popping Stansfield. Each character has their own internally consistent moral code. LucBesson directed this fascinating, haunting, offbeat, darkly comical film.
Directed by a 28 year old StevenSpielberg, Jaws is a gripping, multi-faceted masterwork. This thriller/cult classic features resonant, memorable work by RoyScheider and RichardDreyfuss, and a mesmerizing, iconic performance by RobertShaw. Also involved is a 20+ (25!) foot-long shark. One of the most perfectly realized films of the 20th century.
The 1996 film Fargo, a Coen Brothers masterwork, presents the story and precipitous moral/psychological decline of Jerry Lundegaard (WilliamH. Macy), the misadventures of the bungling kidnappers (SteveBuscemi and PeterStormare) whose “help” he enlists, and the dogged attempts of Marge Gunderson (FrancesMcDormand) to make sense of it all. Macy’s performance is mind-boggling, Buscemi and Stormare are brilliant, and McDormand carried away an Oscar for her finely-nuanced portrayal. CarterBurwell composed the memorable theme.
This offbeat, rather twisted Western presents the intertwined stories of Tom Logan (JackNicholson) and his good-hearted, somewhat hapless rustling gang, and Lee Clayton (MarlonBrando), a so-called “regulator” (hired killer) whose job it is to identify and curtail the activities of Logan, et al. As the film progresses, an ever-increasing sense of dread and disquiet permeate the proceedings, as it becomes clearer all the time that the eccentric Clayton is a ruthless, sadistic sociopath, who relishes his deadly machinations and depraved exploits. The bounty hunter’s bewildering array of accents and disguises also merits mentioning.
ArthurPenn directed this cult masterpiece, and allowed the actors, especially Brando, to find their own way with the characters, including improvising much of the dialogue. Idiosyncratically paced, this oddball absurdist comedy/western thriller deconstructs the genre to beautiful effect, and Marlon Brando’s incomprehensibly stunning performance ultimately defines and lifts the film to the very heights.
The serial predator and killer MartinVanger appears in both the American and Swedish iterations of The Girl With The Dragon Tattoo. He is equally disquieting in both. PeterHaber portrays Vanger in the 2009 Swedish release, and StellanSkarsgård does the honors for the 2011 American film. Both performances are brilliant, and chilling. Haber’s portrayal is earnest and volatile, while Skarsgård is more haughty, detached, dispassionate. Both work perfectly.
The 1987 film Withnail and I, written and directed by Bruce Robinson, and starring Richard E. Grant, Paul McGann, and Richard Griffiths, has come to be recognized as one of the great achievements of British film-making. Originally considered a “cult” movie, this poignant and amazingly humorous film is so very memorable. This happened to be Grant’s first film, as well, putting him firmly on the map of such things.
A fistful of film composers, and their compositions. Bernard Herrmann, Eric Serra, Daniel Licht, Marvin Hamlisch, TheHandsomeFamily, David Shire, Carter Burwell, Alexander Courage, and EnnioMorricone.
A tour de force by titans of the silver screen: LeslieHoward, HumphreyBogart, and BetteDavis. Mr. Howard insisted that a relatively unknown Bogart be cast for the role of iconic outlaw Duke Mantee; it became the actor’s first big breakthrough. Mantee, a Dillenger-like desperado, sets new elite standards for an obsession with people sitting down. Howard’s character, a down and out man of letters, provides the philosophical dimension. His interactions with the imposing Mantee are some of the greatest exchanges in film history.