Bideodromage
The Wicker Man, an extraordinary, curious, classic cult film, debuted in 1973 and has only gained in popularity since. The movie stars Christopher Lee, Edward Woodward, Britt Ekland, Ingrid Pitt, and a host of locals from the small Scottish towns where it was filmed. So many indelible moments. Lee’s playful yet imposing rendering of Lord Summerisle is the sine qua non of this iconic motion picture.
The extraordinary film Manhunter, filmed in 1986, features auteur-like vision by director Michael Mann, and memorable performances by Tom Noonan, Brian Cox, and William Petersen. Based on the novel Red Dragon by Thomas Harris, Manhunter possesses an eerie noir-ness, focuses often on the similarities between hunter and hunted, and resonates powerfully to this day.
This masterful John Ford “Western Noir” features James Stewart, John Wayne, and Lee Marvin, all of whom provide indelible portrayals.
A tour de force by titans of the silver screen: Leslie Howard, Humphrey Bogart, and Bette Davis. Mr. Howard insisted that a relatively unknown Bogart be cast for the role of iconic outlaw Duke Mantee; it became the actor’s first big breakthrough. Mantee, a Dillenger-like desperado, sets new elite standards for an obsession with people sitting down. Howard’s character, a down and out man of letters, provides the philosophical dimension. His interactions with the imposing Mantee are some of the greatest exchanges in film history.
The Zodiac Killer was active—as far as we know—in 1968 and 1969, though he claimed in one of his notorious, cryptic, and, really, legendary, letters that he had killed (and was continuing to kill…) many more than the law department could conceive of. His five “canonical” murders were unusual in a number of ways: his “signature” varied from event to event; and instead of trying to conceal his deeds, he boasted and rodomontaded unabashedly and very publicly. When he gloated that he planned to kill schoolchildren as they “came bouncing out” of a schoolbus, panic ran rampant throughout the whole of Northern California.
The initial scene shows the strikingly cryptic, bizarre, haunting interview that Toschi {portrayed by Mark Ruffalo}, Mulanax {Elias Koteas} and Armstrong {Anthony Edwards} held with Person of Interest Arthur Leigh Allen {played by John Carroll Lynch, who gets it pitch-perfect}. By turns haughty, indignant, angry, and laconic, Allen kept dropping revealing, tantalising bits of information that certainly got the lawmen’s attention. They glance at each other, almost in shock, as the suspect all but reveals that he’s the infamous Zodiac. But not quite. An extremely intense scene.
The middle two videos cover one of the “canonical” Zodiac murders, and some of writer/sleuth Robert Graysmith‘s unnerving detours into what may, or may not be false leads, this being a particularly disquieting episode with Bob Vaughn (Charles Fleischer).
The final video shows Robert Graysmith (Jake Gyllenhaal) as he enters the domain of Leigh, not to prove anything, but to look into his eyes “and know he’s the one”. He does so, and as it dawns on the chief suspect of the Zodiac investigation what is happening, his countenance morphs from pleasant and welcoming, to menacing and cold.
This riveting film focuses, for the most part, on the remarkable degree of not only fear, but *obsession* that the never-caught serial killer instilled in people. This kind of obsession destroyed a number of lives; Paul Avery {Robert Downey, Jr.}, Dave Toschi {Mark Ruffalo}, and Robert Graysmith {Jake Gyllenhaal} are those examined in Zodiac.
The great William Marshall, with his stentorian delivery, and dignified/exalted bearing, brings much to the table in these two films. Thalmus Rasulala, Pam Grier, and Don Mitchell also excel, Rasulala in 1972’s Blacula, and the latter two in Scream, Blacula, Scream, from 1973.
Marshall was a Shakespearean actor, who portrayed the lead character in various productions of Othello to great effect. A formidable 6’5″ with a deep basso profundo register, Marshall carried with him a dignity and a regal demeanor. In a review, Harold Hobson of the London Sunday Times praised Marshall’s portrayal as “the best Othello of our time.”
{Revised with Full Intensity 7/6/2019}
{Note: Massively Revised 7/8/2019}
Gary Oldman, in a titanically twisted, iconic, canonical, epoch-defining performance, portrays psychopathic, corrupt DEA agent Norman Stansfield in the film Léon, The Professional. Stansfield really gets down to some serious malevolent weirdness in the above video scene with would-be DEA agent-slayer Mathilda (Natalie Portman). He calmly interrogates the young lady in ways that would bamboozle, unnerve, and intimidate anyone in human history. Throughout, the crazed but {mostly} composed DEA agent manages to be one moment menacing, the next pleasantly conversational. Stansfield presents an enigmatic, occasionally humorous, malevolent-ly inclined figure. Quite unforgettable.
In The Fifth Element, Lost in Space, and True Romance, he displays the ability to simply do anything he wants as an actor. All 3 roles are quasi-humorous/sinister, but in entirely different ways. Masterful.
Bideodromage 